Associated Readings
Click for Downloadable Readings in Relation to “From River Road to Copenhagen”
Pierre Nora, Realms of Memory (Les lieux de mémoire): Rethinking the French Past (Chicago: University of Chicago Press, 1998).
Aloïs Riegl, “The Modern Cult of Monuments: Its Character and Origin” (1903), trans. Kurt W. Forster and Diane Ghirardo, Oppositions 25 (1982), 21–50.
Lewis Mumford, “The Death of the Monument,” Circle: International Survey of Constructive Art (London: Faber and Faber, 1937), 263–270.
Sigfried Giedion, “The Need for a New Monumentality” in New Architecture and City Planning: A Symposium, ed. Paul Zucker (New York: Philosophical Library, 1944), 549– 568.
James Young, The Texture of Memory: Holocaust Memorials and Meaning (New Haven: Yale University Press, 1993).
Angels Carabi, Interview with Toni Morrison, Belles Lettres: A Review of Books by Women 9, no. 3 (Spring 1994).
Judith Baca, “Whose Monument Where? Public Art in a Many-Cultured Society,” in Mapping the Terrain: New Genre Public Art, ed. Suzanne Lacy (Seattle: Bay Press, 1995), 133.
Andreas Huyssen, “Monumental Seduction,” New German Critique 69 (Autumn 1996): 181–200.
Kirk Savage, Standing Soldiers, Kneeling Slaves: Race, War, and Monument in Nineteenth-Century America (Princeton, NJ: Princeton University Press, 1997).
Sergiusz Michalski, Public Monuments: Art in Political Bondage, 1870-1997 (London: Reaktion, 1998).
Roger C. Echo-Hawk, "Ancient History in the New World: Integrating Oral Traditions and the Archaeological Record in Deep Time," American Antiquity 65, No. 2 (April 2000): 267-290. https://www.jstor.org/stable/2694059
Tony Bennett, “Stored Virtue: Memory, the Body and the Evolutionary Museum,” in Regimes of Memory, ed. Susannah Radstone and Katharine Hodgkin (New York: Routledge, 2002), 40–54.
Jaś Elsner, “Iconoclasm and the Preservation of Memory,” in Monuments and Memory, Made and Unmade, ed. Robert S. Nelson and Margaret Olin (Chicago: The University of Chicago Press, 2003), 209-231.
Johanna C. Kardux, “Monuments of the Black Atlantic. Slavery Memorials in the United States and the Netherlands,” in Blackening Europe: The African American Presence, ed. Heike Raphael-Hernandez (London: Routledge, 2004).
Dell Upton, “Why Do Contemporary Monuments Talk So Much?” in Commemoration in America: Essays on Monuments, Memorialization, and Memory, ed. David Gobel and Daves Rossell (2013).
Harriet F. Senie, Memorials to Shattered Myths: Vietnam to 9/11 (2016).
"A Questionnaire on Monuments," October 165 (Summer 2018): 3-177.
Anna Arabindan-Kesson and Mia L. Bagneris, “The Spirit of Louisiana: Painting Racialised Geographies in the Slave-Holding Atlantic,” in Inventing Acadia: Painting and Place in Louisiana, ed. Katie A. Pfohl (New Haven: Yale University Press, 2019), 81.
Derek H. Alderman, Jordan P. Brasher, and Owen J. Dwyer, III, “Memorials and Monuments,” International Encyclopedia of Human Geography, 2nd ed., vol. 9 (2020), 39-47. https://doi.org/10.1016/B978-0-08-102295-5.10201-X
Memorial Sites: Valongo Wharf (Rio de Janeiro) + Congo Square (New Orleans)
Jennifer Reut, “Out of Time: Grappling with How to Commemorate People Enslaved at Brazil’s Valongo Wharf, Sara Zewde Designs a Way Forward for Memorials Everywhere,” Landscape Architecture Magazine, April 19, 2018, https://landscapearchitecturemagazine.org/2018/04/19/out-of-time-saindo-do-tempo/.
Lorraine Leu, Defiant Geographies: Race and Urban Space in 1920s Rio de Janeiro (University of Pittsburgh Press, 2020). https://upittpress.org/books/9780822946007/
Freddi Evans, Congo Square: African Roots in New Orleans (Louisiana University at Lafayette Press, 2011). https://ulpress.org/products/congo-sqaure-african-roots-in-new-orleans
Dawn Logsdon and Lolis Eric Elie, Faubourg Tremé: The Untold Story of Black New Orleans (2009), https://www.newday.com/films/faubourg-treme-the-untold-story-of-black-new-orleans
Recalling Plantation Landscapes: River Road (Louisiana) + Fireburn (St Croix)
Charting the Plantation Landscape from Natchez to New Orleans, ed. Laura Kilcer VanHuss (Louisiana State University Press, 2021). https://lsupress.org/9780807174791/
“Environmental Racism in Louisiana’s ‘Cancer Alley’, Must End, say UN Human Rights Experts,” UN News, March 2, 2021, https://news.un.org/en/story/2021/03/1086172.
La Vaughn Belle and Jeanette Ehlers, I Am Queen Mary (2018-ongoing), https://www.iamqueenmary.com/
Angela Golden Bryan (Executive Producer) and Joel Fendelman (Director), Fireburn: The Documentary (2020), https://www.fireburndocumentary.com/
Katherine McKittrick, “On Plantations, Prisons, and a Black Sense of Place,” Social & Cultural Geography 12, no, 8 (2011): 947-963. https://doi.org/10.1080/14649365.2011.624280
Monumental Iconoclasms: Mexico City + New Orleans
Jeffery Darensbourg, Ozone504, et al, Bulbancha Is Still a Place, issue #2 (2019), https://www.flipsnack.com/cacno/bulbancha-is-still-a-place-v-2.html.
Mauricio Tenorio Trillo, “De monumentos, conquistas e historia,” Nexos, March 1, 2021, https://www.nexos.com.mx/?p=53578
Julieta Gil, Nuestra victoria (2019-2020), https://eleco.unam.mx/nuestra-victoria/; and https://www.youtube.com/watch?v=VLJXyvroa6E
Doug Maccash, “Mardi Gras Indian Suit Appears at Site of Former Jefferson Davis Statue in New Orleans,” The Times-Picayune | The New Orleans Advocate, February 16, 2021, https://arthurrogergallery.com/2021/02/mardi-gras-indian-suit-appears-at-site-of-former-jefferson-davis-statue-in-new-orleans/.
CJ Hunt, The Neutral Ground (2021), https://www.neutralgroundfilm.com/.
Bulbancha (Louisiana) & Mi'kma'ki (Nova Scotia)
Parks Canada, Jill Francis, et al, “Kespukwitk Conservation Corridor: An ArcGIS StoryMap,” https://storymaps.arcgis.com/stories/d0482067d90c4705934a8f66befefd39
Catherine Martin, The Basket Maker (2021), https://sarasotanativeff.eventive.org/films/60538f0f6ad88a00bb519d97
Janie Verret Luster, United Houma Nation, https://unitedhoumanation.org/janie-verrett-luster/
Sharita Forrest, “Study Examines Impact of Climate Change on Louisiana’s Houma Tribe,” Illinois.edu, May 2, 2019, https://news.illinois.edu/view/6367/782364.